
Appraisal: Disney Animation Art, ca. 1938
Clip: Season 28 Episode 22 | 2m 36sVideo has Closed Captions
Appraisal: Disney Animation Art, ca. 1938, from Vintage Los Angeles.
In I Was There, Elyse Luray-Marx appraises Disney Animation art, ca. 1938.
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Appraisal: Disney Animation Art, ca. 1938
Clip: Season 28 Episode 22 | 2m 36sVideo has Closed Captions
In I Was There, Elyse Luray-Marx appraises Disney Animation art, ca. 1938.
Problems with Closed Captions? Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: I brought two albums.
One is the animation## that I inked as an inker in# 1939 with Disney Studios.
APPRAISER: You worked in the studios?
GUEST: Yes, I did.
APPRAISER: And your job at the studios was to## actually take the paint and apply# it to the, to the animation cels?
GUEST: I... That, and I was an inker, too.
APPRAISER: An ink...
The lines that go around?
APPRAISER: And how long did# you work at the Disney Studios?
GUEST: Several years.
I, uh, worked on Pinocchio# and Fantasia and Bambi, and, and later on,## I worked on Sleeping Beauty.
Each girl was given# a sequence to ink, and they were timed before## you received them.
And each picture was timed by# another girl.
And you were to keep up with those,## uh, timing, and, uh, it was counted for or against# you.
And, uh, if you didn't keep up on their time,## you were let go.
But, uh, it kept# you on your toes.
You had to listen## to a radio through earphones so that you# wouldn't slow down by talking to someone.
APPRAISER: And how many cels# would you say you painted a day?
GUEST: Say 35 to 65.
APPRAISER: That's a lot of work for a day.
GUEST: Mm-hmm.
It was fun, though.
APPRAISER: Good.
GUEST: Yeah, I really .. APPRAISER: Disney now uses computers.
APPRAISER: So they no longer have people# to hand-ink and paint them.
So that makes## them and yourself and your career that much more# special.
The thing about these is, you can see how## the movie was really made.
It's an interesting# historical book, to actually look through the## whole book and to be able to see...
GUEST: Mm-hmm.
APPRAISER: ...how much work it, is involved.# And then here you have some practice tests.
GUEST: Mm-hmm.
APPRAISER: Which I think is really interesting, because these aren't the colors# that they used in the film.
APPRAISER: This book I found fascinating, as# well.
It's a wonderful collection of animation## drawings.
This particularly is from Snow White.# And the whole book is filled with things that,## um, are very similar to this,# and I was quite impressed.
GUEST: Mm-hmm.
APPRAISER: Uh, these are from Pinocchio.
With your collection of animation# drawings, it's really neat.
APPRAISER: I, if you add everything up,# the cels are actually the things that are## the most valuable.
Unfortunately, they've# been cut down, and they're not on their## full sheets.
And the animation drawings,# unfortunately, have been trimmed, as well,## but if you go through the entire book and you# add up the whole collection of animation cels## and the drawings, the whole collection# itself is worth about $15,000 to $20,000.
GUEST: Oh, that sounds good.
(both chuckle)
Appraisal: 1961-1963 Kennedy & Johnson-signed Photos
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Appraisal: 1961-1963 Kennedy & Johnson-signed Photos (5m 19s)
Appraisal: 1969 Alexander Calder Sculpture
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Appraisal: 1969 Alexander Calder Sculpture (4m 30s)
Appraisal: 1970 Jimi Hendrix Collection
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Appraisal: 1970 Jimi Hendrix Collection, from Charleston Hr 3. (4m 9s)
Appraisal: 1982 Brooke Shields's Bob Mackie Beaded Gown
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Appraisal: 1982 Brooke Shields's Bob Mackie Beaded Gown, from Palm Springs Hour 3. (3m 42s)
Appraisal: 2002 Salt Lake City Olympic Torch & Runners Suit
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Appraisal: 2002 Salt Lake City Olympic Torch & Runners Suit, from Salt Lake City Hour 2 (1m 52s)
Appraisal: Chuck Jones Bugs Bunny Drawing, ca. 1955
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Appraisal: Chuck Jones Bugs Bunny Drawing, ca. 1955 (1m 12s)
Appraisal: Dale Chihuly Blown Glass Vase, ca. 1965
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Appraisal: Dale Chihuly Blown Glass Vase, ca. 1965 (2m 47s)
Appraisal: Elijah Pierce Preaching Stick, ca. 1950
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Appraisal: Elijah Pierce Preaching Stick ca. 1950 in St. Louis Hour 2 (3m 28s)
Appraisal: Georgia O’Keeffe Group, ca. 1970
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Appraisal: Georgia O’Keeffe Group, ca. 1970 (3m 56s)
Appraisal: NASA Apollo Archive, ca. 1965
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Appraisal: NASA Apollo Archive, ca. 1965 (4m 36s)
Appraisal: Norman Rockwell Oil Painting & Chair, ca. 1952
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Appraisal: Norman Rockwell Oil Painting & Chair, ca. 1952, from Boston Hour 1. (4m 26s)
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